| 2021 | High Emission Zone, Galerie Nathalie Obadia, Paris, France, February 11–April 17 |
| 2020 | UnRealism, Shoshana Wayne Gallery (online), Los Angeles, USA, December 15–April 3 |
| The 252nd Royal Academy Summer Exhibition, The Royal Academy of Arts, London, October 6–Jan 3 | |
| Hier, Aujourd’hui, Demain: Works from the Mudam Collection, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, June 20–September 13 | |
| 2019 | Reason Gives No Answers: Selected Works from the Collection, Newport Street Gallery, London, UK, September 11 –November 10 (Catalogue) |
| Stairway to Heaven: Abstraction Now, Coombs Contemporary, London, UK, July 11–October 18 | |
| Alles Farbe! Jörn Stoya und die Sammlung des Museum Morsbroich, Museum Morsbroich, Leverkusen, Germany, May 26–September 1 | |
| Sixty Years, Tate Britain, London, UK, April 22–April 22 | |
| 2018 | Content is a Glimpse, Efremidis Gallery, Berlin, Germany, November 24–January 26 (Catalogue) |
| Women Power Protest, Birmingham Museums & Art Gallery, UK, November 10–March 31 | |
| Darkness into Light: The Emotional Power of Art, Millenium Gallery, Museums Sheffield, Sheffield, UK, October 20–January 13 | |
| Paintings from the 1980s and 1990s, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, September 29–March 31 | |
| The 250th Royal Academy Summer Exhibition, The Royal Academy of Arts, London, UK, June 12–August 19 (Catalogue) | |
| Double Jeu, Musée d’Art et Archéologie d’Aurillac – Les Écuries Jardin des Carmes, France, June 1–November 3 | |
| Surface Work, Victoria Miro, London, UK, April 11–May 19 | |
| Malevolent Eldritch Shrieking, Attercliffe™, Sheffield, UK, March 24–May 5 | |
| Jerwood Collection: 25 Years, Jerwood Gallery, Hastings, UK, January 27–April 15 | |
| 2017 | Objects are closer than they appear, Buchmann Galerie, Berlin, Germany, June 30–September 2 |
| The 249th Royal Academy Summer Exhibition: room curated by Fiona Rae, The Royal Academy of Arts, London, UK, June 13–August 20 (Catalogue) | |
| I Want! I Want!: Art & Technology, Birmingham Museums & Art Gallery, April 1–October 1 | |
| Group Exhibition, Park Hyatt Paris Vendome, Paris, France, March 30–July 15 | |
| 2016 | Zeichnung, Buchmann Galerie, Berlin, Germany, November 18–January 14 |
| Drama Queens. Die Inszenierte Sammlung, Museum Morsbroich, Leverkusen, Germany, September 18–January 15 | |
| Non Figuratif – un regain d’intérêt?, Abbaye Saint André, Centre d’Art Contemporain Meymac, France, July 10–October 16 | |
| Retour au meilleur des mondes, FRAC Auvergne, France, July 2–October 2 | |
| Conversation autour d’une collection, Villa Bernasconi, Centre d’Art, Grand-Lancy, Switzerland, June 25–July 31 | |
| The 248th Royal Academy Summer Exhibition, The Royal Academy of Arts, London, UK, June 13–August 21 (Catalogue) | |
| Turn the Colour Down!, Turps Gallery, London, UK, April 16–May 7 | |
| Ce que fait le printemps avec les cerisiers (Pablo Neruda), Galerie Nathalie Obadia, Paris, France, March 19–April 10 | |
| 2015 | The 247th Royal Academy Summer Exhibition, The Royal Academy of Arts, London, UK, June 8–August 16 (Catalogue) |
| Imagining a University: Fifty Years of The University of Warwick Art Collection, Mead Gallery, Warwick Arts Centre, Coventry, UK, April 29–June 20 (Catalogue) | |
| La Vie de Château. Œuvres de la Collection, Musée Départemental d’Art Contemporain de Rochechouart, Haute-Vienne, France, February 28–June 1 | |
| La Colección: La Colección de Pintura Contemporánea de la Fundación Barrié por Primera Vez en Madrid, CentroCentro, Madrid, Spain, January 22–April 26 | |
| 2014 | Globetrotter, Essl Museum, Klosterneuburg, Austria, November 9–March 1 |
| Group Exhibition, Waddington Custot Galleries, London, UK, December 19–February 16 | |
| Here Today…, The Old Sorting Office, London, UK, November 25–December 17 (Catalogue) | |
| Prophetic Diagrams II, Cheymore Gallery, Tuxedo Park, NY, USA, October 25–December 19 | |
| As I run and run, happiness comes closer, Hôtel Beaubrun, Paris, France, October 9–December 20 (Catalogue) | |
| Bad Boy!, New Art Projects, London, UK, July 24–September 20 | |
| Between Worlds, Galerie Isa, Mumbai, India, June 27–September 15 (Catalogue) | |
| The 246th Royal Academy Summer Exhibition, The Royal Academy of Arts, London, UK, June 9–August 17 (Catalogue) | |
| (detail), H-Project Space, Bangkok, Thailand, June 5–July 6; Transition Gallery, London, UK, September 20–October 12; The Usher Gallery, Lincoln, UK, December 19–April 19 (Catalogue) | |
| Within/Beyond Borders: The Collection of the European Investment Bank at Banco de Portugal, Banco de Portugal, Lisbon, Portugal, May 15–September 5 (Catalogue) | |
| 2013 | Donation Florence et Daniel Guerlain, Musée national d’art moderne, Centre Pompidou, Paris, France, October 16–March 31 (Catalogue) |
| Art Britannia, Madonna Building, Miami, Florida, USA, December 1– December 22 | |
| De la Présence des Lucioles: La Collection, Carré d’Art – Musée d’Art Contemporain, Nîmes, France, November 7–June 9 | |
| Here We Go, Part 2: Volume, Karsten Schubert, London, UK, September 9–November 29 | |
| Summer Saloon Show, Lion & Lamb Gallery, London, UK, July 25– September 1 | |
| 2012 | Prophetic Diagrams, George and Jørgen, London, UK, December 14–February 16 (Online catalogue) |
| Encounter: The Royal Academy in Asia, Institute of Contemporary Arts Singapore, Singapore, September 13–October 21; Katara Cultural Village Foundation, Doha, Qatar, December 6–March 6 (Catalogue) | |
| RA Now, Royal Academy of Arts, London, UK, October 11–November 11 (Catalogue) | |
| The 244th Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, UK, June 4–August 12 (Catalogue) | |
| London Twelve, City Gallery Prague, The Stone Bell House, Prague, Czech Republic, June 29–September 23 (Catalogue) | |
| Outside In, Timothy Taylor Gallery, London, UK, May 18–June 13 | |
| A Private Affair: Personal Collections of Contemporary Art, Harris Museum and Art Gallery, Preston, UK, January 28–May 5 | |
| Hors les Murs, Galerie Nathalie Obadia, Brussels, Belgium, January 20–February 25 | |
| 2011 | American and European Painting from the Marx Collection, Atlas Sztuki, Lódz, Poland, October 21–December 30; National Museum in Szczecin, Poland, January 27–April 22 (Catalogue) |
| Making a Scene, Southampton City Art Gallery, Southampton, UK, October 6–January 2 (Catalogue; text by Eleanor Nairne) | |
| Colección de Pintura Contemporánea Internacional, Fundación Barrié, A Coruña, Spain, November 10–March 18 (Catalogue) | |
| Unearthed, Warton House, London, UK, September 3–September 11 | |
| Within/Beyond Borders, Byzantine & Christian Museum, Athens, Greece, September 19–October 31 (Catalogue; text by Delphine Munro) | |
| Not for Sale, Passage de Retz, Paris, France, July 13–September 18 | |
| The 243rd Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, UK, June 7–August 15 (Catalogue) | |
| Collection: 25 ans et 1 été, Musée de Rochechouart, Rochechouart, France, June 6–September 25 | |
| Between Film and Art, Kunsthalle Emden, Germany, April 16-July 17; Deutsche Kinemathek – Museum für Film und Fernsehen, Berlin, Germany, August 18–December 4 (Catalogue) | |
| 2010 | New Art Now, Birmingham Museum and Art Gallery, Birmingham, UK, November 13–February 13 |
| Rappel à l’Oeuvre, Maison du Geste et de l’Image, Paris, France, November 6–March 18 | |
| Palm Paintings, Buchmann Galerie, Berlin, Germany, January 29–March 6 | |
| ART: curated by Michael Craig-Martin,Galerie Haas und Fuchs, Berlin, Germany, May 1–June 30 (Catalogue) | |
| …um so mehr, Kunsthalle Göppingen, Germany, May 16–July 4 | |
| Babel, FRAC Auvergne, France, May 29–August 29 | |
| 40, Texas Gallery, Houston, USA, June 9–July 31 | |
| The 242nd Royal Academy of Arts Summer Exhibition, room curated by Fiona Rae, Royal Academy of Arts, London, UK, June 14–August 22 (Catalogue) |
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| 50 Years at Pace, The Pace Gallery, New York, USA, September 17–October 16 (Catalogue) | |
| 2009 | Plastic Culture: Legacies of Pop 1986 – 2008, Harris Museum and Art Gallery, Preston, UK, March 28–May 30; The Exchange, Penzance, UK, July 11–October 3; Bradford 1 Gallery, UK, November 13–February 4 (Catalogue; texts by Roger Cook and Richard Kirwan) |
| Splash the Stuff Down: Painting and Revelation, Leeds Art Gallery, Leeds, UK, January–September | |
| Ventriloquist, Timothy Taylor Gallery, London, UK, February 26–March 28 | |
| Antes de Ayer y Pasado Mañana; o lo que Puede ser Pintura Hoy, MACUF: Museo de Arte Contemporaneo Union Fenosa, Coruna, Spain, May 5–September 30 | |
| La Rose Pourpre du Caire, Musée d’Art et d’Archéologie d’Aurillac, France, May 15–November 14 | |
| Classified: Contemporary British Art from Tate Collection, Tate Britain, London, UK, June 13–August 23 | |
| Une Place au Soleil, Galerie Nathalie Obadia, Paris, France, June 20–July 22 | |
| 2008–09 | Contemporary Prints and Drawings, The Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA, November 1–January 4 |
| A Pace Menagerie, Pace Prints, New York, USA, December 4–January 8 | |
| 2008 | Out of Storage 1: Chosen Paintings from the Collection, Musée d’Art Moderne Grand-Duc Jean, Luxembourg, March 6–May 26 |
| Paixóns Privadas, Visions Publicas, Museo de Arte Contemporánea de Vigo, Spain, May 30–September 7 (Catalogue; text by Javier Fuentes Feo) | |
| Toute la Collection du Frac Ile-de-France (ou presque), Musée d’art contemporain du Val-de-Marne, Vitry-sur-Seine, France, July 4–August 31 | |
| Summer Show, Timothy Taylor Gallery, London, UK, July 9–August 30 | |
| Freeze 20, The Hospital Club, London, UK, August 1–30 | |
| Group Show, Galerie Nathalie Obadia, Brussels, Belgium, September 20–October 31 | |
| 2007–08 | Reset: Werke aus der Sammlung Marx, Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany, November 23–August 17 (Catalogue) |
| 2007 | Twilight Musings, One in the Other, London, UK, March 1–April 1 |
| 100 Jahre Kunsthalle Mannheim, Kunsthalle Mannheim, Germany, May 2–September 9 | |
| Out of Art: from the collection of Ernesto Esposito, CentrePasquArt, Kunsthaus Centre d’Art, Biel, Switzerland, June 3–August 5 | |
| The 239th Royal Academy of Arts Summer Exhibition, Royal Academy of Arts, London, UK, June 11–August 19 (Catalogue) | |
| A Travers le Miroir (le secret), Musée d’Art et Archéologie d’Aurillac, France, June 29–December 29 | |
| De leur temps (2) Art contemporain et collections privées en France, Musée de Grenoble, France, July 7–September 16 (Catalogue; text by Philippe Piguet) | |
| 2006–07 | Pictograms: The Loneliness of Signs, Kunstmuseum Stuttgart, Germany, November 4–February 25 (Catalogue; texts by Marion Ackermann, Pirkko Rathgeber, Theodora Vischer, Hadwig Goez, Cara Schweitzer, Daniela Stöppel, Wolf Tegethoff, Ulrich Wilmes, Georges Didi-Huberman and Tanja Zimmermann) |
| 2006 | Fiction @ Love / Forever Young Land, Museum of Contemporary Art, Shanghai, China, January 7–March 5 Concurrent with: Fiction @ Love / Twinkling Stars, Bund 18 Creative Center, Shanghai, China, January 7–February 17 Travelled as: Fiction @ Love / Ultra New Vision of Contemporary Art, Singapore Art Museum, Singapore, May 18–July 9 (Catalogue; texts by Victoria Lu, Lim Qinyi and Kim Sunhee) |
| Full House: Faces of a Collection, Kunsthalle Mannheim, Germany, April 2–September 4 | |
| Hot Spring … In Autumn, Galerie Krinzinger, Vienna, Austria, September 14–October 14 | |
| VIP III: Arena der Abstraktion, Museum Morsbroich, Leverkusen, Germany, September 24–November 12 | |
| 2005–06 | Revelation: Reflecting British Art in the Arts Council Collection, Laing Art Gallery, Newcastle-upon-Tyne, UK, October 8–January 8 |
| 2005 | Colours and Trips, Künstlerhaus Palais Thurn and Taxis, Bregenz, Austria, January 15–February 13; Museum der Stadt Ratingen, Germany, February 27–April 25 (Catalogue; text by Oliver Zybok) |
| Lorie Peters Lauthier Collects, Leonard Pearlstein Gallery, College of Media Arts and Design, Drexel University Gallery, Philadelphia, USA, January 26–February 18 | |
| Blumenstück, Künstlers Glück: vom Paradiesgärtlein zur Prilblume, Museum Morsbroich, Leverkusen, Germany, May 22–August 28 (Catalogue; texts by Gerhard Finckh et al.) | |
| Ordering the Ordinary, Timothy Taylor Gallery, London, UK, July 14–August 31 | |
| Baroque and Neo-Baroque/ The Hell of the Beautiful, Domus Atrium 02 (DA2), Fundación Salamanca Ciudad de Cultura, Spain, October 3–December (Catalogue) | |
| 2004–05 | Direct Painting – Neue Kunsthalle IV, Kunsthalle Mannheim, Mannheim, Germany, November 6–May 1 |
| Le Syndrome de Babylone, Centre d’Art Contemporain de la Villa du Parc, Annemasse, France, November 20–January 15 | |
| 2004 | Paranormal, Aeroplastics Contemporary, Brussels, Belgium, February 20–April 24 |
| Art in New Spaces, Walker Art Gallery, Liverpool, UK, March 6–April 25 | |
| Summer Eyes/Summarize, Jan Weiner, Kansas City, USA, July 2–August 31 | |
| 2003 | Talking Pieces: text und bild in der neuen kunst, Museum Morsbroich, Leverkusen, Germany, January 26–April 20 (Catalogue; text by Ute Riese) |
| La Langue dans la Boue, Musée du Tapis et des Arts Textiles, Clermont-Ferrand, France, February 15–March 13 | |
| Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Germany, March 1–June 29 (Catalogue; texts by Annelie Lütgens, Frank Reijnders, Walter Seitter et al) |
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| Paintings: Arturo Herrera, Dennis Hollingsworth, Fiona Rae, Juan Uslé, Buchmann Galerie, Cologne, Germany, March 14–April 19 | |
| Inaugural Group Show, Timothy Taylor Gallery, London, UK, May 21–June 7 | |
| New Abstract Painting/ Painting Abstract Now, Museum Morsbroich, Leverkusen, Germany, June 1–September 28 (Catalogue; text by Ute Riese) | |
| A Bigger Splash: British Art from Tate 1960–2003, Pavilhão Lucas Nogueira Garcez, São Paulo, Brazil, August 5–September 21 (Catalogue) | |
| 2002 | The Rowan Collection: Contemporary British and Irish Art, Irish Museum of Modern Art, Dublin, Ireland, February 13–June 3 (Catalogue; texts by Virginia Button and Brenda McParland) |
| Peintures, contrainte ou recette, Galeries du Cloître, Ecole des Beaux-Arts de Rennes, France, May 14–June 15 | |
| 2001–02 | Künsterlerräume / Sammlerräume, Kunstverein St Gallen im Kunstmuseum, Switzerland, November 30–February 10 |
| 2001 | Hybrids: International Contemporary Painting, Tate Liverpool, UK April 6–June 24 (Catalogue; text by Simon Wallis) |
| Works on Paper, Luhring Augustine Gallery, New York, USA, June 26–August 18 | |
| 2000 | Aspectos de la Coleccion, Coleccion de Arte Contemporaneo, Fundación ‘La Caixa’, Madrid, Spain, March 14–April 30 |
| Zeitgenossen/Contemporaries: Malerei/Paintings, Galerie Edition Kunsthandel, Essen, Germany, June 10–August 25 | |
| Europe: Different Perspectives in Painting/Europa: Differenti Prospettive nella Pittura, Museo Michetti, Palazzo San Domenico, Francavilla al Mare, Italy, July 1–September 23 (Catalogue) | |
| 1999–00 | Colour Me Blind! Painting in the Age of Computer Games and Comics, Württembergischer Kunstverein, Stuttgart, Germany, November 13–January 16; Städtische Ausstellungshalle am Hawerkamp, Muenster, Germany, February 20–April 9; Dundee Contemporary Arts, UK, June 2–July 22 (Catalogue; text by Ralf Christofori) |
| ʻ45-99: A Personal View of British Painting and Sculpture, Kettle’s Yard Gallery, Cambridge, UK, November 13–January 9, The City Gallery, Leicester, UK, January 15–February 26 (Catalogue; text by Bryan Robertson) | |
| 1999 | Reconciliations: Elizabeth Cooper, Stephen Davis, Fiona Rae, Juan Uslé, DC Moore Gallery, New York, USA, October 6–October 30 (Catalogue; text by Jeffrey Hoffeld) |
| 1998 | Inaugural Exhibition, Luhring Augustine Gallery, New York, USA, May 28–August 15 |
| UK Maximum Diversity, Galerie Krinzinger in der Benger Fabrik, Bregenz, Vienna, Austria, July 15–August 16; Atelierhaus der Akademie der bildenden Künste, Vienna, Austria, November 11–December 12 (Catalogue) | |
| Up to 2000, Southampton City Art Gallery, Southampton, UK, August 21–October 18 | |
| 1997–00 | Sensation: Young British Artists from The Saatchi Collection, Royal Academy of Arts, London, UK, September 18–December 28 1997; Hamburger Bahnhof – Museum für Gegenwart, Berlin, Germany, September 30, 1998–January 17, 1999; Brooklyn Museum of Art, New York, USA, October 2, 1999–January 9, 2000 (Catalogue; texts by Brooks Adams, Norman Rosenthal, Richard Shone, Martin Maloney and Lisa Jardine) |
| 1997 | Treasure Island, Fundação Calouste Gulbenkian, Lisbon, Portugal, February 7–May 4 (Catalogue) |
| Confrontation, Galerie Nathalie Obadia, Paris, France, March–April 19 (Catalogue) | |
| Ian Davenport, Michael Craig-Martin, Zebedee Jones, Michael Landy, Fiona Rae,Waddington Galleries, London, UK, April 30–May 23 | |
| Paintings and Sculpture,Luhring Augustine Gallery, New York, USA, June 13–August 1 | |
| The Prophecy of Pop, Contemporary Arts Center, New Orleans, Louisiana, USA, December 6–February 8 | |
| 1996–98 | About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, UK, November 10, 1996–February 23, 1997; The Fruitmarket Gallery, Edinburgh, UK, April 12–May 31 1997; The Wolsey Art Gallery, Christchurch Mansion, Ipswich, UK, September 6–October 19 1997; Laing Art Gallery, Newcastle-upon Tyne, UK, January 23–April 26 1998 (Catalogue; includes artist statement) |
| 1996 | Nuevas Abstracciones, Museo Nacional Centro de Arte Reina Sofía, Palacio de Velázquez, Madrid, Spain, April 25–June 23; Kunsthalle Bielefeld, Germany, July 2–September 8; Museu d’Art Contemporani, Barcelona, Spain, October 10–November 30 (Catalogue; texts by Enrique Juncosa, Arthur C. Danto and Demetrio Paparoni) |
| 1995 | Repicturing Abstraction: The Abducted Image, Marsh Art Gallery, University of Virginia, Richmond, USA, January 20–February 26 (Catalogue; texts by Arthur C. Danto, Richard Waller, H. Ashley Kistler, Chris Gregson and Steven S. High) |
| From Here, Waddington Galleries and Karsten Schubert, London, UK, March 29–April 29 (Catalogue; text by Andrew Wilson) | |
| Malerei. Sechs Bilder – Sechs Positionen, Galerie Bugdahn und Kaimer, Düsseldorf, Germany, April 28–June 3 | |
| Des Limites du Tableau: les Possibles de la Peinture, Musée Départemental de Rochechouart, Haute-Vienne, France, July 8–September 24 (Catalogue; texts by Jean-Marc Prévost and Ann Hindry) | |
| 1994 | Chance, Choice and Irony, Todd Gallery, London, UK, February 24– April 2; John Hansard Gallery, The University, Southampton, UK, April 26–June 11 (Catalogue; texts by Tony Godfrey et al) |
| Unbound: Possibilities in Painting, Hayward Gallery, London, UK, March 2–May 30 (Catalogue; text by Adrian Searle) | |
| Here and Now, Serpentine Gallery, London, UK, June 11–July 10 | |
| New Painting From the Arts Council Collection, Gallery Oriel, Dublin, Ireland, July 16–August 14 | |
| 1993–94 | Hardcore (the first part), Factual Nonsense, London, UK, November 26–January 29 |
| A Decade of Collecting: Patrons of New Art Gifts 1983–1993, Tate Gallery, London, UK, December 13–January 18 (Catalogue) |
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| 1993 | Moving into View: Recent British Painting, Work from the Arts Council Collection, Royal Festival Hall, London, April 6–May 23; travelled throughout the UK |
| Nancy Haynes, James Hyde, Walter Obholzer, Fiona Rae, David Row, Karin Sander, Juan Uslé, Leslie Wayne, John Good Gallery, New York, USA, June 23–July | |
| Color, Pamela Auchincloss Gallery, New York, USA | |
| 1992-95 | New Voices: recent paintings from the British Council Collection, Centre de Conférences Albert Borschette, Brussels, Belgium; Musée National d’Histoire et d’Art, Luxembourg; Istanbul Greater City Municipality Taksim Art Gallery, Istanbul, Turkey; Ankara State Fine Arts Gallery, Izfas Gallery, Izmur, Turkey; Museo de Belles Artes, Bilbao, Spain; Santa Monica Contemporary Art Centre, Barcelona, Spain; Centro Cultural Galileo, Madrid, Spain; Veronicas, Sala des Exposiciones, Murcia, Spain; Pescaderia Vieja, Sala de Arte, Jerez, Spain (Catalogue; text by Adrian Searle) |
| 1992 | Play Between Fear and Desire, Germans van Eck Gallery, New York, USA, April 24–May 23 |
| 1991–92 | John Moores Liverpool Exhibition Seventeen, Walker Art Gallery, Liverpool, UK, October 18, 1991–January 19, 1992 (Catalogue) |
| The Contemporary Art Society: Eighty Years of Collecting, Hayward Gallery, London, UK, December 3, 1991 –January 19, 1992. Traveled to: Maclaurin Art Gallery, Ayr, Scotland, UK, February 1–March 14; Bristol City Museum and Art Gallery, Bristol, UK, March 21–May 3; Walker Art Gallery, Liverpool, UK, May 15–June 21 (Catalogue; texts by Judith Collins et al.) | |
| 1991 | Who Framed Modern Art or the Quantitative Life of Roger Rabbit, Sidney Janis Gallery, New York, USA, January 10–February 16 (Catalogue; texts by Tricia Collins and Richard Milazzo) |
| British Art from 1930, Waddington Galleries, London, UK, February 27–March 23 (Catalogue) | |
| Invitational, Tony Shafrazi Gallery, New York, USA, May 4–June 8 | |
| A View of London, Salzburger Kunstverein, Salzburg, Austria, September 11– October 5 (Catalogue; text by Michael Archer) | |
| Abstraction, Waddington Galleries, London, UK, October 23–November 16 | |
| La Metafisica della Luce, John Good Gallery, New York, USA, November (Catalogue; text by Demetrio Paparoni) | |
| Turner Prize Exhibition 1991, Tate Gallery, London, UK, November 6–December 8 (Catalogue; text by Sean Rainbird) | |
| 1990 | The British Art Show 1990, McLellan Galleries, Glasgow, UK, January 24–March 11; Leeds City Art Gallery, Leeds, UK, March 30–May 20; Hayward Gallery, London, UK, June 14–August 12 (Catalogue; texts by Caroline Collier, Andrew Nairne and David Ward; includes artist statement) |
| Aperto, 44th Biennale di Venezia, Venice, Italy, May 27–September 30 (Catalogue) | |
| Rudolf Fila, Tim Head, Alain Miller, Fiona Rae, Anthony Wilson, Anthony Reynolds Gallery, London, UK, June–July | |
| Voorwerk 1, Witte de With, Center for Contemporary Art, Rotterdam, The Netherlands, October 13–November 25 (Artist box) | |
| 1989 | New Year, New Talent ʼ89, Anderson O’Day Gallery, London, UK, January 10–January 21 |
| Promises, promises, Serpentine Gallery, London, UK, April 22–May 21; L’École de Nîmes, France, July 7–September 29 (Catalogue; text by Adrian Searle) | |
| Contemporary London, Galerie im Kreishaus, Cologne, Germany, November 14–December 5 | |
| 1988 | Freeze, Surrey Docks, London, UK, August 28–September 12 (Catalogue; text by Ian Jeffrey) |
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